Siena Oberman has the sort of résumé that is at once intimidating and inspiring. The 23-year-old producer, whose first three shorts screened at Cannes and who c...
Googie visuals, De Stijl palettes, art deco facades, Miesian skyscrapers, and Corbusian furniture. These are just some of the wonderful architectural features t...
Jane the Virgin is symbolic of something so much more than Latino representation. Though deeply important and refreshing to see a real “Spanglish” family mirror...
GLOW is having a monumental year. Not only did the Netflix series recently drop its second season to critical acclaim, but it’s up for numerous Emmys, including...
It’s a tall order for a film to be at once funny and sobering, doomsday and optimistic, slapstick at heart and thoughtful in execution. It’s no stretch to say t...
Twitter went into an uproar earlier this week after The Hollywood Reporter announced that the Plain White T’s song, “Hey There Delilah,” will be developed into ...
Hereditary wants to ask you if you know your own family. Take a minute to mull that question over. Well, do you? Because Ari Aster’s freshman feature also wants...
When I first began reading Peter Taylor’s recent opinion piece titled, “Bringing boring theatre to the masses,” I’ll admit I was intrigued.
He opens with sev...
At this point, no doubt, you have seen or at least heard about Greta Gerwig’s delightful directorial debut, Lady Bird (2017). Like most coming-of-age stories, L...
In June, television’s newest show about a young, 20-something girl trying to make it in New York City wrapped up its first season. Sweetbitter, based on the 201...
