I can’t get enough of foreign productions and
all that they have to offer. Their wealth of storytelling, innovation, and
boundless creativity make them a goldm...
Public perceptions of Virginia Woolf haven’t historically been kind. Although the writer is globally renowned for the flowing modernism of her novels, she has ...
Last year, along with many critics, I was troubled by the camera’s evasion of queer sex in Luca Guadagnino’s erotic coming-of-age drama, Call Me By Your Name (...
“What are you going to do with your life?” It’s a question that's thrown at us and found hiding in the back of our minds from the time we’re old enough to unde...
With news
of the creators of Bandersnatch being
sued for their use of the “choose your own adventure” title, it’s
interesting to consider how interactivity in ...
Dan Gilroy has moved
from the grimy streets of L.A. in Nightcrawler
to the elegant yet equally ruthless halls of the city’s art galleries in Velvet Buzzsaw. Un...
Growing up the daughter of a single, working mother, I was watched by my grandmother many evenings. As a result, I spent countless hours of my childhood with t...
The
Kübler-Ross Model dictates that there are five stages of grief: denial, anger,
bargaining, depression, and acceptance. Rosa Escandón’s Assault and Other
St...
2018 has been a year full of complex women. From Toni Collette in Hereditary, to Charlize Theron in Tully, to Glenn Close in The Wife, this year has shown that ...
Susie Bannion, in both Dario Argento’s Suspiria and Luca Guadagnino’s remake of the film, is an innocent, wide-eyed girl from a small town in the US. “Susie Ban...
