The first thing I want to say is that there was nothing
impulsive about any of the decisions I’m about to share with you. I first made
them in my head in late ...
Emily Gagne and Josh Korngut have been friends for two dozen years. Born and raised in Toronto, they’ve gone from being “little weirdos together” on the elemen...
It’s been a strong start to 2019 for us. As of the beginning of the year, we’ve been operating on a slightly dialled-back publishing schedule, to ensure that e...
Last time you heard from me, I was asking you all for money! And despite my incessant annoying posts on the subject for two whole months, you ended up donating ...
I receive pitches all year long from people who want to write about their favourite films, series, and filmmakers. These are the pieces that writers seem to hav...
Siena Oberman has the sort of résumé that is at once intimidating and inspiring. The 23-year-old producer, whose first three shorts screened at Cannes and who c...
Since the last time I wrote one of these things, Reel Honey officially hit the one-year-old mark. (Right behind Rumi and Sir Carter, it’s my favourite thing to ...
As this is my first Editor’s Note of 2018, you might be expecting me to wax poetic about the year ahead of us, maybe even announce some big plans. I’m only goin...
A lot has happened regarding women in film since we published our last issue in September, and it would feel wrong not to address that in this note.
For Reel...
I recently polled some established film and culture writers about what they feel they would have benefitted from while starting out in their careers. A few expr...
Sydney Urbanek is a writer and the founder of Reel Honey. Based in Toronto, she writes about film, music videos, and chronic illness. She knows the “Telephone” choreography but please don’t ask her to do it. Find her on Instagram and Twitter @sydurbanek.
