Ah, summer—the sun is shining, the birds are chirping, you’re peeling your thighs off of plastic patio chairs, and men are starting to yell obscene things at y...
Emily Gagne and Josh Korngut have been friends for two dozen years. Born and raised in Toronto, they’ve gone from being “little weirdos together” on the elemen...
I
first became aware of Robin Swicord in 2007 after watching her debut
directorial feature, The Jane Austen Book Club. It’s a movie about books and friendship—...
After making waves at Cannes, Lee Chang-dong brought his thrilling sixth feature Burning to the UK at the 2018 BFI London Film Festival last October. There, I ...
Toronto-based filmmaker and cinematographer Christina Ienna is undeniably versatile. With a filmography that includes narrative, documentary, and commercial wor...
Siena Oberman has the sort of résumé that is at once intimidating and inspiring. The 23-year-old producer, whose first three shorts screened at Cannes and who c...
Québécois writer-director Sophie Goyette creates cinematic poetry. Her debut feature, Mes nuits feront écho (2016), gracefully confronts the unknown as three lo...
Cinema Thom, an Australian-based production company and creative studio, is only a month old and already making some major waves. The company was founded by act...
